39-th part of viewing hidden HD-cam nude and wild beaches Russia. Here and nudists, and simple vacationers prefer to sunbathe, swim and have fun naked.
To be continued...
Format : AVI / 1280x720 HD
Duration : 47 min
File Size : 1080 MB
Download Russian Nude Beaches 2019. Part-39.

 

Candid-HD - St.Patrick's Day Sauna. Full version in one file. Blu-Ray.

Candid-HD - St.Patrick's Day Sauna. Full version in one file. Blu-Ray.

Candid-HD. Scooters and Sunflowers and Nudists. Oh My! Blu-Ray.

Scooters and Sunflowers and Nudists. Oh My! Blu-Ray.

Candid-HD - Spring Cleaning.

Candid-HD - Spring Cleaning.

Bilitis. 1977. FULL-HD.

Holy Nature. Paula.
Format : mpg / 640x480
Duration : 4 min
File Size : 134 MB
Download Holy Nature. Paula.

IT. Malabimba è un film horror erotico del 1979 diretto da Andrea Bianchi con lo pseudonimo Andrew White.
Nel castello di una facoltosa famiglia viene rievocato, durante una seduta spiritica, lo spirito di Lucrezia, una antenata della casata. Lo spirito di Lucrezia tenta, nella stessa notte, di impossessarsi dell'anima di suor Sofia, la quale vive da tempo nel castello per prendersi cura del paralitico Adolfo, proprietario del castello assieme al fratello Andrea e marito di Nais. Non riuscendovi si impossessa dunque dell'anima dell'adolescente Bimba, figlia di Andrea, che fino ad allora aveva trascorso una vita molto ritirata e riservata.
Nei giorni successivi il comportamento di Bimba muta radicalmente, a causa dell'influsso malefico dell'anima di Lucrezia, e più volte, ella, inconsciamente, mette in luce i vizi sessuali e perversi dei componenti della propria famiglia, in particolar modo della nonna e della zia Nais, e sottolinea la vita lussuriosa e depravata che si conduce all'interno del castello. La ragazza non solo si dà a pratiche di autoerotismo sfrenate ma arriva anche a provocare la morte per infarto dello zio infermo praticandogli una fellatio.
EN. Malabimba – The Malicious Whore (Italian: Malabimiba) is a 1979 Italian sexploitation film directed by Andrea Bianchi.
In the castle of a wealthy family, a seance is held to contact the spirit of a woman who had been murdered. Instead, the spirit of Lucrezia, an ancestor of the family, is recalled during the seance. Lucrezia tries to take possession of the soul of Sister Sofia, who has lived in the castle to take care of the paralytic Adolfo, owner of the castle together with his brother Andrea, the husband of the murdered woman. Not succeeding, she takes possession instead of the body of the adolescent Bimba, daughter of Andrea and the murdered woman, who until then had spent a very withdrawn and reserved life.
In the following days the behavior of Bimba radically changes, due to the evil influence of Lucrezia's soul, and several times, she falls prey of the perverse sexual urges of Lucrezia, while unconsciously sheds light on the sexual and perverse vices of her family members. The family members, worried, entrust the girl to the care of Sister Sofia. The relationship between Bimba and Sister Sofia grows more confidential and between them a loving friendship is born. But in reality Bimba, subjugated by the soul of Lucrezia, sexually tempts the nun into a downward spiral of unspeakable debauchery.
Director: Andrea Bianchi.
Cast: Katell Laennec, Patrizia Webley, Enzo Fisichella, Giuseppe Marrocco, Elisa Mainardi, Giancarlo Del Duca, Pupita Lea Scuderoni, Mariangela Giordano.
Italy, 1979.
Language: Italian, English.
Subtitles: English.
1920x1080 FULL-HD
Download Malabimba / The Malicious Whore. 1979:
2 parts archive:
Part-1
Part-2

FR. 8,9 millions de spectateurs en France, plus de 100 millions à travers le monde. Sorti en juin 1974, Emmanuelle. Il est considéré aujourd'hui comme un film culte.
Comme un porte-bonheur, Emmanuelle est resté à l'affiche de l'UGC Triomphe, sur les Champs-Élysées, treize années durant. « On figurait dans le circuit des tour-opérateurs japonais, entre le Louvre et la tour Eiffel, se souvient Just Jaeckin, son metteur en scène, artiste touche-à-tout, photographe, sculpteur et réalisateur de publicités. Les Espagnols franchissaient même la frontière pour le voir, car il était à l'époque interdit par le régime franquiste. »
Au fil des mois et malgré les scandales qu'il déclenche, ce long métrage s'impose comme un véritable phénomène de société. « C'était le premier film érotique écrit par une femme (Emmanuelle Arsan), dont le succès a reposé sur les femmes, qui composaient une grande partie de son public », analyse Jaeckin. Au début, pourtant, personne n'y croyait. « Gainsbourg, l'un de mes copains, a refusé d'en faire la musique. C'était une petite production, tournée avec très peu de moyens, mais qui a profité de circonstances favorables : la pilule, la libération sexuelle, l'abolition de la censure avec l'élection de Giscard d'Estaing... »
« Elle était si belle, si pure. J'aurais pris une fille plus aguicheuse, le film aurait été mort », reconnaît le réalisateur. Le cinéma et la télévision ont exploité le filon, donnant lieu à des suites malheureuses. « De film de cul, il est devenu culte, mais ce n'est pas aujourd'hui que j'aurais voulu l'entendre, déplore-t-il. Je n'oublie pas tout ce qu'on a écrit de virulent à mon sujet à sa sortie. J'ai vécu trois années de black-out total. Je ne vendais plus une seule sculpture, car les collectionneurs estimaient que je les avais trahis. Les journaux ne voulaient plus de mes photos, je ne pouvais plus tourner de publicités. J'étais devenu infréquentable. » À jamais « M. Emmanuelle ».
EN. Emmanuelle is the first and most infamous of the French softcore-porn series about a young woman's awakening to new sexual dimensions. Sylvia Kristel became a star with her portrayal of Emmanuelle, the suppressed wife of a diplomat. By virtue of her husband's profession, Emmanuelle is introduced to any number of handsome, virile men and beautiful, adventurous women, all more than willing to escort the sheltered young lady to the farthest reaches of sensuality. Nudity and eroticism abounds in Emmanuelle, but the sex scenes are discreetly photographed (shadows and elusive camera angles predominate) to evoke eroticism and suggestiveness in lieu of raunch. As the Emmanuelle series dragged on, the sex became more perfunctory and the storylines overladen with gimmicks; this film is comparatively basic and straightforward. Emmanuelle is based on the allegedly autobiographical book by Emmanuelle Arsan.
In the first 14 weeks after its released 2 1/2 million Frenchmen stood in line for it.

Director: Just Jaeckin.
Cast: Alain Cuny, Sylvia Kristel, Marika Green, Daniel Sarky, Jeanne Colletin, Christine Boisson
France 1974.
Language: French, English.
Subtitles: English, Dutch, Japanese, Portuguese, Russian, Spanish.
1920x1080 FULL-HD
Extras:
• An Erotic Success - A terrific documentary on the history of director Just Jaeckin's Emmanuelle. Producer Yves Rousset-Rouard, director Just Jaeckin, and critics talk about the many technical difficulties the film had to overcome, its history with the censors, the films that Emmanuelle inspired, its unprecedented success in France, etc. In French, with imposed English subtitles (if you set up the main menu in English). (54 min, 480p).
• An Interview with Emmanuelle - Producer Yves Rousset-Rouard and director Just Jaeckin discuss Emmanuelle's character, how they met Dutch actress Sylvia Kristel, and what they wanted to accomplish with their film. In French, with imposed English subtitles. (31 min, 480p).
• Trailer - The original theatrical Trailer (1 min, 480p).
Download Emmanuelle. 1974.

Emmanuelle. 1974. FULL-HD.

FR. Le film a été en compétition lors du Festival international du film fantastique d'Avoriaz 1975.
Est un OVNI cinématographique français réalisé et écrit par Alain Robbe-Grillet qui met en images sur un design signé Hilton McConnico (Diva de Jean-Jacques Beineix et vivement dimanche de François Truffaut) et une très belle photographie de Yves Lafaye une étrange histoire ou un riche Banquier (joué par Philippe Noiret) demande a un étrange homme a double facette (joué par Jean-Louis Trintignant) d'enfermé sa fille (jouée par Anicée Alvina) dans une clinique spécialisée. Mais l'établissement, sous des dehors très respectables, s'avère être une maison de plaisir pour maniaques sexuels... parmi lesquelles on y trouve Sylvia Kristel, Christine Boisson, Joëlle Cœur (une actrice de charme qui est apparu dans des œuvres comme Je suis frigide... pourquoi ? (ou Comment le Désir vient aux filles), de Max Pécas et Jeunes filles impudiques, de Jean Rollin), Nathalie Zeiger (une autre actrice de charme qui a apparu dans Glissements progressifs du plaisir d'Alain Robbe-Grillet et Les Onze Mille Verges d'Eric Lipmann) et sans oublié Agostina Belli qui apparait en femme de chambre... Après avoir réalisé par Glissements progressifs du plaisir ou il y avait déjà Jean-Louis Trintignant et Anicée Alvina... Alain Robbe Grillet récidive avec ce film OVNI qui tourne en dérision les formes traditionnelles du récit cinématographique, malmène les habitudes de perception et s'en prend a l'illusion réaliste, en imposant un postulat ou il joue les stéréotypes, les clichés sado masochistes, les situations érotiques et s'amuse a égaré le spectateur en multipliant les personnages qui jouent double jeu (Philippe Noiret tantôt Banquier tantôt écrivain ou Jean Louis Trintignant...) , retourne les situations (surtout pour le plan final qu'il ne faut pas révéler) et disperse les fils de l'intrigue ou il reprend les procédés de déconstruction du long métrage en a faisant un brillant exercice de remise en question du langage cinématographique... qui est a voir a plusieurs reprises.
EN. Playing with Fire is a 1975 French-Italian comedy-drama film and starring Jean-Louis Trintignant. One of his most commercially successful films, down mostly to the presence of "Emmanuelle" star Sylvia Kristel.
Alain Robbe-Grillet’s mid-career comedy “Le jeu avec le feu” can politely be described as an intensely self-aware parody. I prefer to call it a piss-take of Italian gialli. What you see in the film is not necessarily the truth, and characters are also not what they claim to be. To add to the chaos, actors return to play different characters during its run-time – perhaps this is a Freudian examination, perhaps it is reminding us that everything, like the film, is make-believe, or perhaps the characters themselves are two-faced.
The film begins with banker Georges de Saxe (Philippe Noiret) receiving a demand for ransom from a couple of visiting baddies for something they haven’t achieved yet – they’re yet to kidnap the banker’s precious daughter Carolina (Anicée Alvina), who’s still safely ensconced in her room upstairs.
In order to protect her, Georges hires detective Frantz (Jean-Louis Trintignant) who’d been telegraphed to the audience in advance as working for the kidnappers. Frantz suggests housing Carolina for her own protection at a place the kidnappers would least bother to look – a high-class brothel run by Erica von Eigher (Martine Jouot). He introduces the place to an innocent Carolina as some kind of a ‘clinic’ for women suffering from ‘exhaustion’.
We can easily see where this plot is heading from here, but then again, we may not. Whatever the case, it wouldn’t matter. For most of its duration, the film is an unbridled indulgence in fantasised masochism, a pastime Robbe-Grillet had never hidden or apologised for throughout his personal life. We see thugs bundle away in public view young maidens from night clubs, morning jogs, and even from wedding ceremonies. As Carolina strolls through doors in Erica’s mansion to discover torrid happenings à la Alice in Wonderland, the film teases the audience through Carolina’s implied and faux sexual awakening. It gets ridiculous towards the end to such an extent that a character even complains to camera that the typist girl had messed up the film’s script sequence..!
What is noteworthy however is the straight face with which some of the biggest stars in French cinema play their respective mixed-up roles – they surely relished their outing here. The set designs and shot compositions are done with the greatest care and attention to detail that for a moment, you  might think you’re watching a Visconti or Bergman.
Director: Alain Robbe-Grillet.
Cast: Jean-Louis Trintignant, Philippe Noiret, Anicée Alvina, Sylvia Kristel, Agostina Belli, Serge Marquand, Charles Millot, Vernon Dobtcheff, Jacques Seiler, Michel Berto, Christine Boisson, Marc Mazza, Jacques Doniol-Valcroze, Nathalie Zeiger, Joëlle Coeur.
France, Italy, 1975.
Language: French, Russian.

Uncut version.
1024x440
Download Le Jeu avec le feu / Playing with Fire / Giochi di fuoco. 1975.
 
 

This documentary film tells about Russian naturists - their lifestyle, traditions, ideas about the surrounding reality and their place in it.
The film was shot by the Moscow Naturist Club by order of the American company "Al Cinema Video Ltd".
Director: Sergey Zizjulkov.
Russia, 1999.
Language: Russian.
Download Goloye obshchestvo / Naked Society. 1999.

 Love Strange Love (Portuguese: Amor Estranho Amor) is a 1982 Brazilian erotic crime drama film written and directed by Walter Hugo Khouri. The film stars Vera Fischer, Tarcísio Meira and Xuxa Meneghel. Fischer won the Best Actress Award at the 15th Festival de Brasília as well as the Air France Award.
The story involves an adult man's recollection of a short period of his life in 1937. That year, on the eve of a key political change in Brazil, a 12-year-old boy is sent to live in a bordello. The bordello's owner, the favorite woman of an important politician, is also the child's mother. In those hours, he discovers his own seхuality.
Love Strange Love caused some controversy due to the participation of Xuxa in the cast. In an interview, Xuxa explained that she was between 17 and 19 years old when the film was made. In another interview Xuxa comments that the film was made in 1979. Her character has seхual relations with a boy of 12 years, interpreted by the actor Marcelo Ribeiro. As in the contract there was no release of the image for video, Xuxa, through a judicial injunction, ordered to collect all the original tapes of stores and stores of the country, nevertheless 4,000 copies were sold before the Justice to distribute its distribution, being, therefore, many pirate copies continued circulating, making of the film a true legend among people who did not know the work.
In 2014, Xuxa lost a lawsuit it filed against Google to create a filter in order to eliminate results related to the movie in its search engine. Xuxa filed an appeal against that decision but had, in 2017, the appeal denied.
The video of Love Strange Love has its marketing and distribution prohibited in Brazil. However, the film was released on DVD in the United States in 2005 and can be purchased by any Brazilian on foreign import sites. The US producer did not sell the rights to Xuxa, who filed a lawsuit in the US in 1993, but lost.
Uncut version 137 min.
Director: Walter Hugo Khouri.
Cast: Vera Fischer, Tarcisio Meira, Xuxa Meneghel, Íris Bruzzi, Walter Forster, Marcelo Ribeiro, Mauro Mendonça, Otávio Augusto, Matilde Mastrangi, José Miziara, Vanessa Alves, Jairo Arco e Flexa.
Brazil, 1982.
Language: English, Portuguese,  Russian.
1920x1080 FULL-HD
Download Amor Estranho Amor / Love Strange Love. 1982:
2 parts archive:
Part-1
Part-2

DE. Schlüsselloch-Report (auch bekannt als Bettgeheimnisse junger Lippen) ist ein deutscher Film des Regisseurs Walter Boos aus dem Jahr 1973. Er ist eine Variante der erfolgreicheren Filmreihe Schulmädchen-Report. 
 In sechs Episoden wird der geneigte Betrachter über so einiges aufgeklärt, was ihm bisher vermutlich verborgen war: was Hausfrauen so treiben, wenn ihre Männer auf der Arbeit sind, was Männer und Frauen so treiben, wenn sie auf der Arbeit sind, wie toll man es in München treibt, wie toll man es auf St. Pauli treibt, wie toll es nicht mehr ganz taufrische Frühreife treiben, was die Tante und zwei Cousinen mit einem Jungen aus Iserlohn treiben und so einiges mehr.
1. Zwei Cousinen und deren Tante verführen einen jungen Mann.
2. Ein Mann, der sich auf einem Campingplatz als Inspektor des 3. Gesundheitsministeriums ausgibt und die Urlauberinnen inspiziert.
3. Ein Mann, der im Hotel eine Baronin verführt.
4. Zwei Stotterer, die ein Schulmädchen verführen wollen.
5. Ein Mann und seine Freundin, die im Hotel Teil des Zimmerservice sind, wollen Hotelgästen die Zeit gegen Geld versüßen.
6. Ein Mädchen, das für ihren studierenden Freund als Prostituierte Geld verdient.
EN. In six episodes, the sexual adventures of people who feel unobserved in their quiet rooms:
1. Twin sisters, Christa and Astrid and their mother, Doris seduce her young nephew.
2. Friedrich poses as an inspector of the Ministry of Health at a campsite and inspects female holidaymakers in shower.
3. A man seduces baroness Betty von Kramer in a hotel.
4. Two stutterers want to have a threesome Poldi, a schoolgirl, but she shouldn't be seen by their landlady.
5. Eberhard and his girlfriend, who are part of the room service in the hotel, want to sweeten time for hotel guests.
6. Florentine decides to make money working as a prostitute in a brothel to support her student boyfriend financially. But Dr Peters, one of her clients find her house and tries to rape her.

Director: Walter Boos.
Cast: Puppa Armbruster, Mariama Barry, Minouche Bary, Alexandra Bogojevic, Astrid Boner, Mattis Böttcher, Doris Delaas, Elke Deuringer, Marisa Feldy, Walter Feuchtenberg Walter Feuchtenberg, Felix Franchy, Judith Fritsch, Josef Fröhlich, Karin Götz, Wolfgang Jansen.
West Germany, 1973.
Language: German.

Download DVD Schlüsselloch-Report / Bettgeheimnisse junger Lippen / The Intimate Teenagers. 1973:
2 parts archive:
Part 1
Part 2

 

 

Schlüsselloch-Report / Bettgeheimnisse junger Lippen / The Intimate Teenagers. 1973.

Candid-HD. Sisters Celebration, parts 1, 2, 3.

Candid-HD. Sisters Celebration, parts 1, 2, 3.

 

DE. Dies ist einer der seltsamsten Filme von Franco. Er scheint verschiedene Genres zu kombinieren, in die er sich bisher nur vertieft hat. Am offensichtlichsten ist dies der Aufstieg des populären deutschen Films The Schulmadchen Report. Franco verwendet mindestens zwei junge Schauspielerinnen aus der Serie und denselben Mann (und dieselbe Frau) als Füller für Straßeninterviews. Interviews sind noch offensichtlicher falsch und (absichtlich?) Komisch als gewöhnlich - zum Beispiel geht der Interviewer herum und fragt junge Frauen, ob sie Jungfrauen sind.
EN. Part documentary, part mockumentary, part sexploitation, all Jess Franco. Tucked in between stock footage is a quasi-documentary about the loss of sexual innocence. Starting in the Garden of Eden we are taken on a voyage around the world that covers various rites of passage and cultures deflowering of the virgin. The film sits precariously in a mixture of genres, but sits comfortly in the mondo genre best. Told in a series of vignettes you see everything ranging from native stock footage inserts to footage shot to titillate the masses. Very tongue in cheek, it is not this a serious study. Good or bad is irrelevant when talking about a Franco film. Franco mixes the good, the bad, the beautiful and the ugly…usually in the same film. This one appears to be rather obscure and its' occasional funny moment will most likely appeal to Francophiles everywhere.
Directors: Jesús Franco.
Cast: Puppa Armbruster, Mariama Barry, Minouche Bary, Alexandra Bogojevic, Astrid Boner, Mattis Böttcher, Doris Delaas, Elke Deuringer, Marisa Feldy, Walter Feuchtenberg, Walter Feuchtenberg, Felix Franchy, Judith Fritsch, Josef Fröhlich, Karin Götz, Wolfgang Jansen
West Germany, Spain, 1972.
Language: German.
The archive contains two DVD disks. 
   DVD 1:  
Format : 720x576 
Duration : 1h 06 min
 DVD 2: 

Extended version with director's comments.
Format : 720x576
Duration : 1h 17 min
Archive Size : 7,55 GB 
 Download DVD Jungfrauen-Report / Virgin Report. 1972:

3 parts archive:

Jungfrauen-Report / Virgin Report. 1972.